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A-Minima

Give new angles to your creativity !

Film-camera manufacturing is over one hundred years old, but there are still many avenues of camera design that have not

been explored. Despite the fabulous growth of the cinema industry, the film-camera is in no way a "been-there-done-that" sort

of thing. These pages presents some of the inventions and designs that have been put to work in the Aaton Super16 A-Minima

camera, making it the lightest and most ergonomic reflex camera around. And one whose image quality, let us say beauty, is

not only comparable in projection to that of its 35 mm elders, but dramatically superior to images recorded on HDTV cameras

(which, it should be noted in passing are four times heavier, expensive to acquire, and power-guzzlers...).

All A-Minima cameras are 'Real-Time' recording equipped, this is a very important issue with a 200' load camera as it saves so

much stock that would otherwise be wasted on slates. Be it on documentaries or multi-camera shoots, the film crew moves

faster and is more unobtrusive. Real-Time recording also makes post- production a breeze, considerably simplifying sound

synchronization in the telecine and editing rooms.

Film-making in new venues

We believe that as we enter the high definition age, the A-Minima is an invaluable tool for those primarily originating for film

projection and HD video. Consider these points :

1. Compressed HD video with low color sampling (3:1:1) seems to be OK for primary tape to tape grading but initial 2k

daVinci tests show problems in secondary correction. Film is full resolution, luminance and chroma, with no compression.

2. Our tests so far reveal that the complete resolution of 1920x1080 is recorded to the Super16 film negative while

portable HD cameras are limited to 1440 pixel equivalent resolution.

3. An HD24p camera is expensive, heavy and power hungry ; the A-Minima can be its mobile and discreet companion for

SFX shots and difficult to reach locations. It can as well be used as a primary or second unit on pure film projects.

Camera ergonomy

Every design option that could enhance hand-held shooting stability is exploited to the maximum. The viewfinder is oriented

45* toward the camera lens in order to decorrelate the shooting axis from the viewing axis, yielding much better control of

image movement and framing on the viewing screen. The camera body is shaped so as to make it easy to hold on to and the

magazine is tilted 15* to allow for cheek guiding. All this results in image stability that is better than that of many heavier

cameras.

No-changing-bag loading, - thanks to the Aaton patented flexible-flange spools - is an important feature of A-Minima. Special

thanks go to Eastman Kodak who have contributed greatly to the workability of the system by manufacturing the spools and

providing their full range of rawstocks in A-Minima loads.

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Página 1 - A-Minima

A-MinimaGive new angles to your creativity !Film-camera manufacturing is over one hundred years old, but there are still many avenues of camera design

Página 2 - A-Minima accessories

With its "distant-eye viewfinder" A-Minima invites the operator to move the camera from eyebrow to arm's length (and back), without wo

Página 3

When used in conjunction with the A-minima camera body, the Aaton small Power Base extends the camera functions without compromising its size, weight

Página 4

The NiMH technology is superior to NiCad : about twice the capacity in smaller cells, absence of memory effect eliminates the need to deplete the batt

Página 5

What about technical support ? Lemac's Sydney service center can handle all AMINIMA service issuesI heard there were positive films for A-Minima,

Página 6 - Miscellaneous

What kind or filter holder or matte box goes with it. The powerbase accepts Aarons standard 15mm accessory rods - LWS Arri/AatonChrosziel, so any matt

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AAton A-Minima Manual do Utilizador

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